Bad cars
I found Bad cars on the short of the week in the comedy section.
Bad cars is about a man and women that both have very old and broken cars
struggling to successfully date in LA. Bad cars was produced and directed by
Anthony Deptula in 2010.
The first character we are introduced is the female protagonist,
we see an extreme close up of her eyes looking in the rear-view mirror, one of
the props used is a pair of thick rimmed glasses are stereotypically a
symbol of smart or working women. In this shot we can hear diegetic sounds of
cars driving and beeping their horns, this suggests it is set somewhere busy
and urban. The title and first scene would suggest the beeping is aimed at her
because she has a 'bad car'. The female’s body language and facial expression
would imply that she is stressed. There is binary opposition between the female
protagonist that has an old broken car that can’t go fast compared to a new
mini that isn’t broken and can go fast! Already I can connote that the film
could be about a student life, maybe she has just started a life in LA so doesn’t
have much money to buy new cars like the rest of LA.
extreme close up in rear-view mirror |
Broken car |
We are introduced to another male character in an extreme close up
and cut in of his hands, starting up an old and broken car. The audience can start
to pair the characters together as we are firstly shown women driving a broken
car and then a man trying to start a broken car, this foreshadows that they
will have relations with each other later on in the narrative. The narrative is
linear we can denote this because the narrative begins in chronological order
and shows a form of progression.
In a mid-shot of the female we see her doing her hair with a
hairdryer, the protagonist is also her car very messy and full of props that
suggest she has a busy life. As she is doing her hair in the car it would
suggest she hasn't got much time and is in a rush, to get to a date?
There is a long shot of the male protagonist running like he’s in
a rush, we then see a two shot of both characters meeting on a corner (their
arranged place to meet for their date) this scene is also shows the genre
(comedy) because we were shown both characters journey to the meeting place,
and they both parked far away on opposite streets so the other wouldn't see
their broken and old cars!
Dropping food |
At the end of their date we see a mid-shot/two shot of the two
characters sitting outside a dance class, trying to avoid going in each others
cars or going to one another’s house. This begins to get awkward for the pair
as they realise they don’t have any other option than to take the bus to the
beach.
In the mid shot the characters facial expression look funny/awkward
as the female biting lip and the male looks down in shame.
The two characters are shown is a mid-shot from behind them
sitting on the beach bench, the setting is dirty. The props around make the set
look messy and dirty; there is also underwear on the bench behind them. This
suggests that the setting is a city by the sea however the area doesn’t appear
to be looked after. Props suggest that the area may be used mostly by teens
that may not care about the environment or by busy business workers that don’t
have the time to take care of their surroundings.
At the end of 'bad cars' both characters decide to go their separate
ways after trying to sort the failed date out! After this as the audience we
assume that it’s the end for the characters. However driving home the female
protagonist breaks suddenly and a car goes into the back of her car, in a
mid/long shot through her rear-view mirror we can see the male protagonist
awkwardly waving at her.
The target audience is 18-, 25 years old that are living the
student life or just starting up their careers. The target audience is implied
through the use of costume, hair and makeup, props and the setting/decor this
is all arranged to suggest the characters haven’t got a lot of time or money or
organisational skills!
Todorovs theory could be applied to 'bad cars' however it is like
'unleaded' in the way that the narrative hasn’t got set equilibrium's and
disruptions that the couple have to overcome. You could argue that the
narrative isn’t linear therefore todorovs theory can only be applied to some of
the film. Todorovs theory would say that at the beginning there would
be peace, however in 'bad cars' the beginning is hectic for both characters
trying to get to the date on time. There are a number of disruptions that the
realisation stage then occurs. There is then some restored order before the
couple both realise that they haven’t got much to do because of their broken
cars. There is then a new equilibrium or you could say the first equilibrium
where the couple decide to get the bus and all is well till they get to the
beach.
Todorovs theory |
You have made good efforts to apply theory Neve and use terms. Well done. You could improve this by considering why the film maker used the narrative structure they did. Don't forget to add a comment about what you are inspired by in this short.
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